Political speech relies on verbal manipulation, one prominent example: impersonal language that avoids assigning (or taking) responsibility.
“Pentagon spokesman John Kirby, a retired rear admiral, recently said that during the long U.S. undertaking in Afghanistan ‘the goals did migrate over time.’ Did the goals themselves have agency – minds of their own?”
When I listen to or read the speech of the people who represent the government and the military-industrial complex, I hear impersonal language and, typically, malicious obfuscation. By that I mean that they speak, as bureaucrats and politicians always have, in terms that, because people on the receiving end rarely subject them to critical scrutiny, are accepted at face value, though a moment’s consideration reveals how devious and deceptive they are.
It takes courage and clear thinking to resist the liberal preoccupation with racial/gender preference and language control.
[In George Orwell’s 1984] Syme [a Party official] encourages Winston to recognize that the ‘whole aim of Newspeak is to narrow the range of thought’. He explains that ‘in the end we shall make thoughtcrime literally impossible because there will be no words in which to express it.’ Syme refers to the fact that individual thought, rebellious or ‘unorthodox’ thoughts will be impossible and so, too, will the true concept of individual freedom. Each concept will be expressed in just ‘one’ word. Any ‘subsidiary’ meanings will be rubbed out and forgotten. (55).The party controls the mind through the control of language (Newspeak), the control of history (the past) and the control of war/ enemies, [via] the process of DoubleThink.
Latest language crime: “equity” full post
(908 words, 1 image, estimated 3:38 mins reading time)
Philip Roth produced a tremendous volume of work, on a machine like this. In “The Anatomy Lesson,” he writes of a man tortured by neck pain – possibly from all the typewriting.
“He had learned the worst lesson that life can teach – that it makes no sense.”
“You put too much stock in human intelligence, it doesn’t annihilate human nature.”
― American Pastoral
A prophet of political correctness
One of my favorite authors, Philip Roth, died recently, leaving a magnificent body of work. Unlike other personal faves, Saul Bellow and Bernard Malamud, who composed mostly in the key of J (for “Jewish”; Malamud’s The Natural is an exception), Roth’s versatility was truly impressive.